The Secret Language of Comics

Triptych

GALveston 2023 was a senior trip I took with my friends this summer. With camera in tow, there were a lot of funny and cool pictures we took. However, the most memorable moment of the trip was being chased by seagulls when we got hamburgers, which ended, well, with me without my In-N-Out burger.

Making the triptych was one of the harder Sunday Sketches. It was different from a lot of everything we have done because I had to pay attention to text and image and how they were connected. I knew what I wanted to do and how I wanted it to end, but choosing the pictures for the first two panels was difficult. I thought that building a pattern for the first two panels then reversing it for the third panel would be interesting. I was inspired by the webcomic, A Softer World, since the photos had a very edited, dream-like quality while the text was ironic and dark.

I do not think my triptych is that funny, but it was still fun to make.

Galveston, Texas
Taken by Josie Sim

Perils of Climbing

The idea for this comic came from my own fears about rock climbing. This 3 panel comic depicts a person staring up at a climbing wall, struggling while climbing, and finally falling off the wall. It was pretty hard drawing this, especially the angles and the shadows which I don’t think I captured correctly. If I refined this drawing, the first thing I would fix is the background. A good setting sets the tone for the rest of the comic which is why I would fix that first. Another thing I would spend more time on is to think what ways would best convey my message. For example, if I wanted to convey fear on his face, what other ways could I do that if my fear emotion didn’t get through to the audience. However, I enjoyed this quick sketch and it felt good to exercise some creativity.

Sketch 5: Triptych

While crafting my narrative, I decided to use a personal experience and condense it into 3 sentences. From there, I turned those short descriptions into each respective panel. The most challenging part about this assignment was choosing a story that could easily be told through 3 illustrations and brief words. Crafting this comic strip is similar to other writing I’ve done this semester because it makes me zoom into one experience while describing it chronologically, which is what I did for the literacy narrative.

Sketch 5:Triptych

image cred: https://knowyourmeme.com/memes/fourth-wall-breaking-white-guy

This Triptych is a commentary on the Miami Dolphins’ win against the Denver Broncos on September 24th. 70-20 is the final score which was the most points scored in an NFL game since the 1960’s. “Covering the spread” is a betting term that refers to the fact that the Broncos could have lost by several points and the bet still would have cashed. Losing by 50, however, is a different story. The picture, that is split into three, is a common meme that has been circulating around the internet for years. According to “Know Your Meme.com,” the Meme is titled “Fourth-Wall-Breaking White Guy” and “refers to a three-panel version of Blinking White Guy meme which utilizes an additional frame of Drew Scanlon looking directly at the camera”. The Meme format went viral on Reddit in 2019.

Optimism

My triptych comic follows an unconventional story, as it leaves a lot up to interpretation to the reader. I attempted to etch the message “LIFE IS GOOD” throughout the three panels, as I knew that I wanted the theme of my story to be motivational and highlight the beauty of things around us that we see in a day, whether it be a tree on a sunny day, the beautiful skies during sunset, and the busting city at night. My interpretation of this story is of someone taking a break from their day-to-day lives and taking a step back to enjoy the things that were previously taken for granted.

Triptych:The Missing Phone

The inspiration came from my own experience. One day, my friend was looking for her phone. She anxiously messaged me that she lost her phone. Actually, it turned out that the phone was actually in her hand. We all have lots of similar experiences in life, such looking around for your glasses when they are actually on your head. The challenge of this assignment is to describe a scenario vividly by using a combination of words and images. What is different about this assignment is that not only do we need to draw the scene, but more importantly, we need to make connections between the panels to create a complete story.

Week Ahead: 5

9/24 Sketch 5: Triptych
5 9/25 Spinning– Prologue and chapters 1-3 (1-114)
9/27 Spinning — chapters 4-5 (115-82)

Note that I made a couple changes to the schedule — I bumped back the due date for the literacy narrative comic until 10/4. Before that class on Wednesday 10/4, please publish to your site images of your storyboard. They can be photographs of drawings if your work is analog. Just make sure they are legible. If you have a hardcopy of your work, bring that in with you to class too. We’ll spend a chunk of class in small groups sharing your storyboards and giving each other feedback.

Tomorrow, we’ll focus on the beginning of Spinning, starting off that discussion by comparing Walden’s graphic narrative to David Small and to Allie Brosh. Tillie Walden won the very prestigious Eisner Award for Spinning when it was published in 2018, when she was 22 years old. Spinning, which again was published when she was 22 years old, was Walden’s fourth graphic narrative book. In the five years since Spinning was published she has published eight more books (to be totally fair, two of those are forthcoming later this year). You can read all of her fifth book, On a Sunbeam online here — it’s worth at least glancing through some of those pages to get a sense of where her style has gone since Spinning.

We’ll start with how Walden establishes character and setting compared to Small and how her tone/visual style is similar and different to Small’s. How does Walden use the page, panels, and gutters in comparison to Small? Note that there is one small moment in Spinning where Walden shows herself holding a copy of Stitches, so she has signaled for us that Small’s text is an influence for her — how has it influenced her as a writer?

Dropped my pb&J :/

I didn’t necessarily have a plan for what I was going to create for my triptych so it was last minute.I was merely searching through my photos for an image that could convey a straightforward narrative. Although there isn’t necessarily a beginning, middle, and finish to this triptych, it is still simple enough to get the point across. I used adobe software for the composition process and it was surprisingly easier than I expected. When it comes to editing it’s not typically my favorite but this sunday sketch changed my mind and introduced me to a new software. A triptych sketch is different in the sense that it does not require extra details and can be simple compared to my other assignments whereas I need focus on the information, the structure, and its formality.

Seeing through my lens.

In this combophoto, I superimposed the lens on a camera over a stock photo of an eyeball. This is meant to represent how, like cameras, we perceive the world through these circular lenses and rely on them when we visualize the world around us. By juxtaposing these two images together, we can almost see how technology imitates nature insofar as it almost becomes hard to tell that the iris has been replaced with a camera lens if you look far away enough.

Camera Image: https://www.flickr.com/photos/feedthepheonix/14767350560/in/photolist-ouWwQq-9aR9gQ-oFQZET-2NFnLk-qy8jw1-9nt9sK-5uRBWZ-mN2qzt-pVyp5f-nRWznn-PonuMT-QyA9fj-q5AjNt-q78bsj-mbi3Va-dRPJWB-aZJJ1Z-cUDc3y-9K5zR1-qpPgmK-cYnXUU-f5UQcm-4y1535-brsYQu-dtrKix-8DyFcX-37tCke-pZCYYB-cJBjhG-oK9bNH-M9i8UB-hSvmm9-CgT6y4-7BccqG-dAFEAs-oTjpBK-4rTHok-fiqZCa-m2cmW6-bU24TF-bKWJgH-dzT3Hn-2aA8P-czpUK7-7PLiAy-7kHbPJ-p2xGJd-UptcKP-aASUA2-tTL9i

Eyeball Image: https://www.flickr.com/photos/112532853@N05/11582619946/in/photolist-iDvXnU-tN6RY-9Pne8j-NxBiX-8jNysL-qn3cVW-cTWWaw-oaKrkw-fQeBJo-rwJqEZ-smeRu-onGbW-ey55Q4-fPX44B-9AQZ5N-mkBMZe-5ZVFYM-bx9U72-2Bmdgm-ewabHq-8aVbsw-5pEZ2U-nPqair-99HSd8-o23vQU-5CkWTU-66KycX-39TqbN-AJSf4-kbNXe7-9NpqYr-6fNZr9-9tUJJs-p8VAU6-f2Jj1q-nJJrnk-9kvG7V-9N5Yrw-7R2yd4-2paLe-5RWoeK-62d198-CfhKp-bvBWWt-9vvLjc-zdvF3C-8zzkU-9pte3J-9CWeE-53spkt

Edited with Photopea

Whisked Away – More Like Forked Away

I gained inspiration for this comic while I was scrolling on Fizz and kept seeing memes about the DCT. I’d imagine I’m not the only one who sometimes struggles to find a fork, and there’s nothing more humbling than eating chicken with a spoon (no hate to the kitchen staff, their hard work is much appreciated). These three panels took way more time to draw than I expected, but I’m thoroughly satisfied by the end results – especially the title. I had a clear vision of what I was going to draw, but I ran into some difficulty trying to draw the classic comic book cloud fight. I had to practice a few times on a piece of scratch paper, but I think it gets across the idea. One aspect I like about this narrative is how it tells a funny story without changing locations or angles, and only one person(me) is actually seen in frame throughout. I found this to be pretty different than most of the other assignments because it required a clear vision of what it would look like before even starting. When completing other assignments, I felt as though having a full understanding of what I was trying to accomplish wasn’t necessary at the beginning because part of the process was coming up with new ideas as I worked.

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