The Secret Language of Comics

Spinning & Stitches Analysis

The first pattern that I would like to point out is the author’s choice of frame in order to depict a certain atmosphere of sadness that is characterized by its prevalence in each of the pages that I traced. In Spinning, Tillie Walden uses the absence of words in order to draw readers’ focus to the drawing being shown in the bottom left portion of the panel. The absence of words is what makes the reader focus in on what Tillie has drawn and from this focus, there is great emphasis on this melancholic atmosphere that is the result of the traumatic sexual assault experience in earlier pages. In the sketches shown, there is a range of emotions on characters being illustrated, including sadness, a blank expression, happiness, and discomfort. I feel that the range of emotions depicted is what makes the drawings that have sad faces stand out as they are the most prominent figures. The range of emotion also points to how emotionally isolated she felt in her sadness as those around her couldn’t see what she had felt and experienced. Choice of frame along with Tillie Walden’s choice of image with the broad range of emotions being shown is what creates this sorrowful atmosphere. In Stitches however, Small uses choice of frame in a different way, utilizing repetition as a means of emphasizing and expressing this down mood. The overwhelming atmosphere of sadness is created through the recurring images of rain that dominate the span of the page. Unlike what Walden does with adding empty space to the frame, which she used to emphasize a sad atmosphere, Small uses the lack of empty space in order to bombard the reader with rain and create this sorrowful tone that cannot be ignored. So much so, that the reader can then understand the depression Small felt was inescapable. This undismissable atmosphere is also created through Small’s choice of frame, showing rain patter down the window from a view inside the house, conveying this idea that the sadness is unavoidable. The fact of the matter is that even though there is cover, the rain is still present, meaning that sadness doesn’t simply disappear when you try to remove yourself from the source. 

Another pattern I would like to point out is that both of these pages followed shortly after a traumatic event or a connection to trauma had been established. In Spinning, this gloomy page falls shortly after Tillie is sexually assaulted by her tutor and in Stitches, the page showing the different rain scenes follows shortly after David comes to deal with the fact that he hasn’t felt his mother’s love all throughout his childhood. This brings me to the idea of graphic narratives being labeled as feminist by Hillary Chute who states, “I claim graphic narratives, as they exhibit these interests, ‘feminist.’ All of the authors I discuss here investigate concerns typically relegated to the silence and invisibility of the private, particularly centered on issues of sexuality, and all address childhood trauma.” Chute labels these graphic narratives as feminist as they address issues often kept hidden. This statement connects to the idea that through comics, both Walden and Small are utilizing this form of literary expression and intentional choice of frame, image, and moment in order to convey the dominance of sadness in their emotional composition in their pursuit of dealing with traumatic experiences. 

Small and Walden are attempting to show how trauma changed their lives but they had different experiences to convey, therefore the differing choices they made in expression were likely the result of such. Small felt he had to show how prevalent and long-lasting his depression was, being the consequence of ignoring his trauma for years, failing to deal with his mother’s absence of love, so he used repetition as his main tool of expression. On the other hand, Walden felt she wanted to show the emptiness in life that resulted from her trauma so she utilized the choice of frame as a tool to show empty space on the page, conveying the void created by her experience. All in all, both authors are very intentional with the choices they made to show how depression had a significant presence in their dealing with their trauma and how their experiences affected them in different ways. 

Different Choice of Frame to show different means of expressing how trauma made author feel

Stitches

Spinning

MLA Citation: Chute, Hillary L. “Introduction.” Graphic Women: Life Narrative and Contemporary Comics, Columbia University Press, New York, 2010, p. 6. 

Sleep Advice

This sketch represents a hilarious reality that I have found myself in before. Though I am not ignorant enough to wonder why I am always tired while up at 3 AM, I have been up late on YouTube before and found myself watching a video about sleep or something similar. The expert in the video will mention the importance of quality sleep and how beneficial going to bed early is, and I often have an existential moment of irony where I realize I should not be watching this video at 3 AM. The funniest part is there are always people in the comment section of these videos who are also watching at ridiculous times. I believe this represents a deeper reality in which it is enjoyable for us as humans to see someone describing the life we want to be living, but do not truly care enough to make it happen.

SK7- Halloween anyone?

This is my quadriptych sketch. The idea came randomly when I was sketching random drawing trying to come up with an idea. Since Halloween was near, I decided to do a funny comic where the reader is put in a tense situation at first. As you read on, you realize it’s just a trick or treater at the door.

Sk7 Reflection

For this quadriptych, the process started with coming up with a story that I could tell in just 4 panels. I used a similar method to one I used in my triptych of hitting the reader with a surprise of sorts at the final panel after using the earlier panels to build into it and give the fourth panel more emphasis. I got the idea of ending with “Sir, this is Wendy’s” when I remembered seeing a comment under a social media post where this user had rambled on about something that I can’t remember now, to which someone replied, “Sir this a Wendy’s drive thru”. The whole concept of being hit with such a response after pouring your heart into communicating a message is something that I find humor in. I knew what I wanted the fourth panel to look like but I didn’t know what I wanted the preceding panels to illustrate. A challenge I faced in creating this quadriptych was figuring out how I could build into that final panel. It was kind of difficult stretching similar dialogue across the first three panels because I wanted to do so in a way that the audience doesn’t get bored of what they’re reading. I did so by trying to change the scene in which dialogue was taking place. This also helped to emphasize the duration of the character expressing his feelings just to realize that he was talking to a Wendy’s employee the whole time. 

Literacy Narrative Comic Rough Draft

Transferring the essay to comic form was harder than I expected. The process involved a lot of thinking about how to format and ensure the message essay was properly communicated within the new medium. With the intent of keeping this a rough draft, I wrote myself notes on what I would look to add to the final copy of the comic. As I work on the final draft, I will have a combination of hand drawings and pictures to ensure the comic communicates the message of the essay in detail. 

Sketch 7: Quadriptych Glass Half Empty

Just like the triptych comic, my idea came relatively quickly for this comic as it stemmed from traveling back home for fall break. However, the structure of forming the story took a lot longer than expected due to the extra panel. Unlike the triptych which has a panel per portion of the story- beginning, middle, and end, the extra panel within the quadriptych made the structure more confusing since it could be used within any portion of the story. I decided to use the extra panel between the middle and the end to give more emphasis on the change between the two characters to clearly convey the message of the story. The purpose of the story, which was to not take advantage of events within our lives, was to ensure that the simple idea of the story would not just be taken literally but used in all different aspects of life.

Sketch 7: Quadriptych

This assignment was inspired by my best friends, who has a strange compulsion: she likes to put things off until it is exactly at o’clock. This is actually a manifestation of procrastination. The biggest challenge of this assignment and the difference with triptych is that there is an extra panel, which I thought would make it easier to make the story clearer. But in fact, the four panels make us need to have abetter control of the structure of the story. I want to use this story to remind myself not to be a procrastinator all the time.

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