Month: October 2023

In Stitches and Spinning, Both authors used various techniques to help readers consciously and unconsciously sympathize with their traumatic memories. When tracing the pages, I felt like I was situated into the author’s point of view and began to analyze the purposes of how the authors organized the pages. For example, tracing the compact panels on the Spinning page was a bit tiring, which led me to wonder about the mood or message the author tries to convey with the various panels. 

Having to place the thesis at the end with the ABT format, I was a little confused about what to put in the first paragraph, where I usually write the thesis. Also, it was challenging for me to synthesize a larger meaning for the similarities and differences of the two texts.

The close reading process helps distinguish many techniques that the authors utilize, such as the number and organization of panels, angles, the uses and locations of texts, and also understanding the mood and atmosphere these techniques create. In analyzing the text closely, I also thought about the metaphoric purposes of these scenes about how they expose the authors’ inner struggles and hardships, for example, of how David Small was pressured by his family and his own diseases. And of how Tillie Walden feared the exposure of her being seen by others. 

When creating the literacy narrative, I found it easier than alphabetic narrative to convey ideas either through concrete or metaphoric images. For me, illustrations seem to provide more diverse options to portray certain messages than words do. Similar to writing the essay in words, I also have to choose which moments are the most important to emphasize. I frame these significant moments in larger panels, much like how I use more words to analyze more influential parts of my experience.  However, concerns about variations in syntax, diction and the overall flow of the essay turned into efforts of designing diverse panel shapes and sizes and making the metaphoric images clear in their meanings. I found it interesting that I could manipulate the perspective and angle through which I draw each scene, much like manipulating camera movements when making a movie. 

When trying to arrange my essay into a comic, I realized again that too many elements are squeezed into the narrative. With the limit of page number and size, the process of organizing helped me filter out certain pieces and concentrate on the more significant ones. I found out that it would be easier to construct a comic if I have focused on one most powerful event in my experience. Doing so would allow me to expand on more details and make the story more engaging. Perhaps condensing my alphabetical narrative into one event would also strengthen the essay. 

In my comic, I tried to vary the panel size and the perspective from which the panels are drawn. For example, I chose to minimize the panel size for the part in which I was scolded by my writing tutor because I wanted to show my distressed reaction, but meanwhile it isn’t quite a significant part of the narrative. For the last two panels on the bottom of the second page, I chose to alter the perspective so that the last panel shows a closeup of my eyes seeing the shooting stars in order to highlight the emotional impact that the metaphor had on me. 

There are also several aspects that could be improved. For example, my narrative might still seem a bit scattered rather than revolving around a single event. In addition, I am uncertain if I effectively synthesized the two parts of my narrative at the end. I feel like I provided a hasty summary rather than analyzing and expanding on the lessons learned from my experience. Some parts of the comic might also seem unclear due to my insufficient drawing skills. For example, the bottom of page three is supposed to portray the character looking at the earth through a telescope made of a curled book, although the book looks a bit more like a sandwich. If I could hire an expert illustrator, I would have him clarify those details and perhaps add some colors into the comic. 

When reading Spinning by Tillie Walden and Stitches by David Small, there is a common theme of isolation that the main character feels. In Stitches, David had to deal with a lot of childhood trauma that stems from his dysfunctional family. One of the main reasons why David was isolated from his family and the outside world, was due to numerous medical treatments and appointments. In Stitches, the sketch I chose to trace, there are three panels of Small zoomed in lying on the medical table.  Similar to Spinning, you also see three panels of Walden lying on the ice. Walden was secluded from her family and friends because of the significant amount of time she spends in the skating rink practicing and weekends competing across states. In both sketches, you can see where the phrase “All at Once” by Hilary Chute comes to play. Both authors illustrated three panels that are similar so the readers can engage with the story on multiple levels simultaneously. Through these three panels,  Small and Walden share a common theme of isolation, allowing readers to understand through visual elements. 

In addition, two thought-provoking patterns I have seen in both sketches are the color scheme and the zoom in and out effects. Small uses mostly dark colors like black and gray, whereas Walden uses three primary colors: navy, yellow, and white. However, in these exact panels, both authors use the color white to emphasize their isolation. Small uses the color white and special zoom-in effects of himself as a child in the three panels to highlight how his isolation and trauma emanate from his childhood. Walden uses white and the zoom out effect in Spinning to depict how one of her isolations stems from her ice skating career. The panel is zoomed out making Walden seem smaller which looks similar to her other panels in the book,that display stars and the moon to depict her solitude, as if she is the only one in the universe.Overall, Small and Walden use the similar  technique, albeit in different styles, to demonstrate how their isolation manifests itself in various ways.

Despite the fact Walden and Small have gone through different experiences they both share a profound feeling of isolation. Through the different zoom in and out effects, color schemes, number of panels, and the common theme of isolation, they highlight the universal human struggle to connect with people and having to navigate their adolescence independently. 

 Work Cited:

Chute, Hillary. Why Comics?: From Underground to Everywhere. 2017, openlibrary.org/books/OL28723757M/Why_Comics.

link to tracing pages

Click to access thinking.pdf

link to https://sarahshao04.wordpress.com/literacy-narrative-comic/

Delving into the realm of comics to articulate my literacy narrative was an enlightening and transformative experience that not only reshaped my perception of storytelling but also redefined my understanding of literary articulation.

Shifting from an alphabetic narrative to a comic format was admittedly challenging at first. While textual narratives offer depth and detail, comics introduce an added dimension: the visual. This transition forced me to think beyond mere words and focus on how visuals could be harmonized with text to create a coherent, compelling story. Integrating visuals was not about mere aesthetic appeal but about amplifying the emotional resonance of the narrative. Every line, shade, and color scheme became a tool to evoke specific emotions and sentiments. I found myself contemplating not just what the story was but how it felt. The visuals allowed the narrative to transcend textual limitations, providing a richer, multi-sensory experience. For example, my initial draft were mostly black and white, but I felt that the emotion cannot be expressed vividly. Inspiring from Spinning, I used much grey color at the begging of the story and used a variety of vibrant colors in the latter part of my comic to show the transformation and colorfulness that social media has brought to my life. On the last page of this comic, I filled in the memory bubbles with different colors to represent how these memories shape my reading and writing journey.

The challenge was not only in drafting but in analyzing how each visual element aligned with the narrative’s core message. Decisions regarding which portions needed visualization versus textual elucidation required a different kind of analytical approach. It became crucial to strike a balance, ensuring neither the text nor the visuals overshadowed the other. When working on a traditional writing, the analysis was predominantly about the content, ensuring coherence, flow, and relevance. Now, it extended to include the design aspect—how to best represent a feeling, an idea, or an event visually without overcrowding the panel or losing its essence. Would a close-up of a face capture the emotion better, or a full-body shot to showcase the surroundings? These were the new questions I found myself grappling with. I have simplified my text twice in order to emphasize the visual elements, but I still have difficulty in putting the text into perfect concise text since it is really hard for me to simply show the images without explaining sufficient background information.

This project encourages me to take a huge step towards my learning outcomes for this semester.Crafting this comic epitomized composing texts using multiple modes. The intertwining of text and visuals affirmed the power of multimodal storytelling. In addition, this project was a testament to the iterative nature of writing, from initial sketches to final drafts, emphasizing the importance of revision and reflection. Peer reviews and classroom discussions were instrumental in refining my comic. Collaborative insights enriched the final product. Crafting a digital comic underscored the importance of using technology responsibly. It honed my skills in digital storytelling, ensuring the narrative was both engaging and ethically crafted.

Turning the literacy narrative into a comic really made me question how much the reader could deduce from images. I did not want to have to explain everything and write out everything but am worried that I overestimated the reader’s ability to understand what I am trying to say just through images.

Once the visual component was added, I reconsidered what the dialogue of the literacy narrative should follow. It was really difficult to reflect the writing style of my literacy narrative in the comic because it was already very jumbled and eclectic, so trying to maintain that tone in the literacy narrative was difficult.

Color became a lot more important in the final comic because I really considered what using red pen and warm colors meant compared to blue, cool-toned colors. My mom used to never let me use red pen to write my name or wear red, so I have always associated the color red with negative emotions and judgement.

I appreciated the alphabetic literacy narrative a lot more because my familiarity with writing alphabetically allows me to control my pacing and point-of-view a lot more. I think I could better express my thoughts and feelings through words, but with practice, I could see a comic becoming a really unique way to express my thoughts.

If I had a lot more time and resources, I would have loved to make a digital product of this comic. I think if I had the skills to draw humans, I would definitely do that because it would make the piece a lot more expressive. This was definitely part of the reason why I liked my alphabetical literacy narrative more; I felt like I was better able to describe and express details that I did not really have the skills to draw or articulate in the comics.

My favorite part of the comic was also probably the most unnecessary one. I really liked the random jump to the Raising Cane’s drive-through because it was just fun to draw and think about. If I had more resources, skills, and time, I definitely would have made this longer, so the Raising Cane’s scene felt more like a brief pause rather than four panels of talking about chicken.

I knew I wanted to change the conclusion of the first literacy narrative, and I thought the Amy Tan block quite was a better way to do it. When I was writing the literacy narrative, I wanted to sum up my identity as a writer in the final paragraph, but I really didn’t think that was necessary in the comic. I just thought the Amy Tan quote would be a better conclusion for it.

And the bears? I just really cannot draw human faces, so bears seemed like the next best thing. If I had more time, I think I would play around with the facial expressions of the bears and making them more distinct, like with colors or clothing.

Writing my literacy narrative as a comic was much easier since my illustrations can make up for the words. That being said, accurately drawing what I wanted to convey was not an easy task, and took much longer than I planned for. However, a big time saver was my storyboard, which I had planned out in advance. It allowed me to move from one panel to the next without having to think of a transition to the next panel.

One doubt when making this comic was “Is this comicy enough?” I thought this because I was using text to describe my transitions and thoughts in almost every single panel. However, I realized for this purpose, it is necessary to have text.

I believe I have met many of the learning goals while preparing this project. Some of the goals include Writing as a Process and Visual Thinking. I believe I have met these goals since through project, I have revised and reflected much on my narrative at many steps such as going to the writing center, having peer feedback on my storyboard, and my own revisions to my work. Additionally, I have planned out my comic in a way so that it visually makes sense even without the text.

Once I added the visuals, my narrative felt much more expressive because the images were right there for the reader to visualize my life instead of them having to use their imagination. Moreover, I personally felt it was much easier to read sense the panels would convey paragraphs of information.

My process for creating this comic actually started at a writing center appointment. From there, I developed a thesis which broke down the 3 main sections I wanted to tell the audience. After, I went back to my literacy narrative and filled in information for those 3 sections. I also kept in mind how I wanted to display that information visually.

If I could go back to change something, I think I would spend more time on detailing the drawings so that it accurately reflects my memories. Since I am not that good of an artist, it was difficult to get the perspectives correct and especially drawing body proportions and faces. I believe if those things were fixed, my comic would have a better flow to it. I also had to scrap ideas when drawing because they were too difficult to convey.