The Secret Language of Comics

Quadriptych: Sketch 7

My friend group and I have been debating whether Burger King is good or not. Personally, I don’t think Burger King is good at all, but some of my friends disagree. This sketch is meant to depict how people should be “embarrassed” of eating Burger King( joking of course).Instead of utilizing a photo like i did for my triptych, I decided to sketch because I’ve gotten used to it since my first storyboard and it feels more comfortable. Thinking about how to stretch the middle section wasn’t too tough because my approach was basic enough, and it created a dramatic waiting effect.

Tracing Pages Reflection

Photo Caption:

This photo is used in a rather literal sense, but I feel it describes the journey I took over the course of this project, which ultimately was me searching for additional context using the images and other elements of comics.

(Photo Credit: Sitka Sound Science Center)

My essay’s thesis discusses the idea of the monumental moments in each story and the emotions portrayed in each one; this then highlights a new concept that suggests these moments and emotions serve as a deeper connection between the reader and the characters in the story. These connections give Stitches and Spinning a human element to them, giving the reader the incentive to keep reading and apply the authors’ actions to their own lives.

Tracing the pages differed from any other literary analysis I’ve ever done. The aspect of this process that was most beneficial to me was removing the words found on the page I was tracing. The lack of words forced me to be more attentive to the images on the page and the message the author was trying to convey to the reader (thus, the “secret language of comics”). Languages are not always verbal or said aloud using words; the variety of images and frames conveyed a message about the story that words alone would have been unable to do. Comics connect words and pictures, benefitting each other and creating a unique form of literature that provides the context necessary to the story’s plot. 

Because I had to use the ABT thesis structure for this essay (which was very unfamiliar to me), I had to focus on providing context immediately while broadening my ideas down, rather than finding context as I write the essay, a method I am much more familiar with. However, writing using this structure allowed me to find my ideas much quicker and use them to find new ideas that I never would’ve found had I continued to use my writing methods from high school.

This project has furthered my understanding of Stitches and Spinning, and I have made connections to the works in ways that my essay’s thesis describes. I look forward to discovering more connections in comics I read in the future! 

*link to Tracing Pages Analysis

**link to assignment prompt

Literacy Comic Reflection

Photo Caption:

This photo is used in a literal sense, but it best illustrates the process of cutting unnecessary elements out of the original narrative to turn it into a comic. (Photo Credit: Freepik)

My initial literacy narrative felt more like an essay than a story/narrative. That’s why when it came time to turn it into a comic, I had trouble figuring out which elements to keep and which to cut. I decided to focus on my CommonApp essay, where I wrote about my personal growth through the play I participated in during my junior year of high school. Choosing what to include in the comic relates to the “rhetorical composition” learning outcome, specifically the concepts of organizing and developing my thoughts in a way that provides me with a clear idea of what the final product will look like.

The hardest part of this assignment was drawing the comic itself. I am not artistic, so I was nervous about drawing a 3-4 page comic. However, drawing out the storyboard was a helpful tool for gathering my ideas and figuring out how to use them best. I could then take the storyboard and trace over it using a thicker pen tool before adding color to make the comic more pleasant to look at. I enjoyed the coloring process because it allowed the page to come to life as if I relived the memory. This process relates to the “visual thinking” learning outcome because I used the means of drawing and art to communicate my ideas to an audience. I took many creative liberties that I certainly wouldn’t have taken in different circumstances. The combination of various mediums has always interested me, and I was excited to expose myself to a new medium that involved drawing. As a result of completing this comic, I have a newfound confidence in drawing that I hope to apply to my other classes, specifically my freshman seminar, where our final project will be designing a video game. I am excited to use what I have learned in this class throughout my college career!

Creating a comic from my literary narrative also allowed me to show my understanding of Scott McCloud’s “Clarity” diagram. As I began the storyboard, I became aware of the five categories in the diagram. As I explained in the first paragraph, I had to find the moments that mattered most and cut the ones that didn’t matter as much, which relates to the “choice of the moment” section of the diagram. Another diagram section that stood out to me was the “choice of flow” section. Flow is crucial to me when reading any literary work–otherwise, I lose interest and give up reading the book. That’s why the moments I chose to use were so important–they needed to fit together cohesively and flow to keep the audience’s attention.

This process allowed me to revisit my literary narrative in a new light. My narrative is a narrative now instead of an essay that only serves as the answer to a given prompt. The limited drawing space forced me to jump straight into the narrative’s central idea(s) instead of “tip-toeing” around them, which was one of the main critiques about the first part of my narrative. My narrative now feels like a coherent story that shows growth in myself and the quality of my writing (as seen on the third page).

View my literacy comic here

Reality of Camping (Quadriptych)

In the beginning, I thought that this version of making a comic would be easier than the triptych, but in reality, it was more difficult. Because in the triptych, you knew that each comic frame represented something, the beginning, middle, and end, but there was just an extra frame for the quadriptych. For me, it was quite difficult to find a use for this frame, as it was difficult to find a use for the extra frame because I did not want to be repetitive and I also wanted to avoid starting another plot, knowing that there was no way I could fit another story in just four frames. I decided to do my comic about camping because this fall break, I am going camping for the second time ever in the Great Smoky Mountains, but the first time I went camping, it was not the greatest experience.  We took a 3-day trip, and the first day went great because the sun was out all day and the weather was beautiful. But the next day was terrible, as there were thunderstorms all day, dramatically worsening the whole experience. The rain sucked all the fun out of the experience, and the first thought that entered my mind was that I wished we had just booked a hotel. 

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