Tackling the Uncomfortable Topics of Abuse in Adolescence


In the graphic novels Spinning by Tillie Walden and Stitches by David Small, the authors reflect on their struggles as an adolescent, and in doing so captivates the reader and offers relatability. On page 93 of Stitches, there are five panels that display David’s grandmother taking control of David’s body, and forcing his hands under scalding water. The repeated image throughout the panels is the grandmother’s strong grip of David’s flailing arms, signifying the power dynamic between David and his grandmother. Similarly, on page 297 of Spinning, Tillie is illustrated struggling under the strong grasp of her tutor. Tillie appears to have no control over her own body, and is subject to a violent assault from her tutor. Both of these scenes stuck with me as the reader, provoking emotions of sympathy for the authors and anger towards the perpetrator. The drastic size differences between David and his grandmother, and Tillie and her tutor, illustrates the authors as helpless victims. These powerful illustrations may make the reader uncomfortable, yet this discomfort is memorable and may even captivate the reader.
Overall, Spinning had significantly more text than Stitches, which was one of the biggest differences that I noticed between between the two graphic novels. On page 297 of Spinning, two of the four panels are solely text, while the remaining two portray Tillie’s struggle to fight back her tutor. In contrast, on page 93 of Stitches, there is only dialogue in one of the panels, and it comes from David’s grandmother. In addition to the the dialogue, however, there is the sound effect “sssss” that appears in three out of the five panels to imitate the sound of the hot water seeping from the faucet. David Small uses more dialogue and sound effects throughout his novel, as opposed to Tillie Walden who consistently utilizes narration in order to tell her story. While Walden’s illustrates were descriptive and powerful, her narration was the more significant aspect of her storytelling. In contrast, Small included less narration and utilized his illustrations to leave the reader to interpret his story. Oftentimes, Small would have an extensive number of pages with solely illustrations, and no text or dialogue. These two different styles of presenting information alters the way the reader interprets the story.
The graphic novels Stitches by David Small and Spinning by Tillie Walden both tackle difficult topics but with different storytelling styles, therefore the impact on the reader may vary depending on the reader’s preference and interpretation. The combination of the illustrations, dialogue, and narration has a more dramatic impact on the reader as opposed to a regular novel. The reader can sympathize more with the author, as graphic novels oftentimes feel more interactive. Hillary Chute discusses the evolution of comics in her essay “Comics for Grownups?”, and touches upon a comic’s ability to navigate deep topics. She indicates that “comics could tackle head-on what most would consider the realm of the absolutely interior and private”, in a way that regular novels may not (Chute 15). Comics have the ability to approach these topics in a multitude of ways, with different illustrative style, spacing, dialogue, or the input of sound effects. Different readers will have different preferences regarding the style of storytelling, and sometimes the comics “can feel less directive and linear than reading most prose narrative”(Chute 21). There are limitless options for presenting a storyline in comics, which allows the authors to use their creativity to captivate readers in nonconventional ways. While these two graphic novels utilize different styles to reach their audience, both are effective in communicating the story of their struggles throughout adolescence.
Works Cited:
Chute, Hillary. Comics for Grownups?, New York: Harper, 2017, reserves.library.emory.edu/Shib/ares.dll?Action=10&Type=14&Value=16615E21.


